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John Wood

One White Bit John Wood
One White Bit Founder: New school Futures

Background

  • 1968 - DipAD (Diploma in Art & Design) in Fine Art (First Class Honours) CNNA
  • 1968 - DA(Manc) (Diploma of Associateship) in Fine Art (Distinction) - Manchester Polytechnic
  • 1969 - ADF(Manc) (Art & Design Fellowship) in Art & Design - Manchester Polytechnic
  • 1969 - Writer/director of computer assisted play King of Shouting House for 28 actors at the ICA, London
  • 1970-1972 - Lecturer in Fine Art, Manchester Polytechnic
  • 1971 - Director of "Electric Media" workshop, Wolverhampton Polytechnic
  • 1972-76 - Liverpool Polytechnic (3/5 senior lecturer in the Fine Art Dept)
  • 1972 - "The Tune Doodler" - electronic sculpture exhibited in 86 department stores & art museums in 17 countries.
  • 1973 - Design of control circuit to regulate a solar roof. Eithen-y-Gaeir, North Wales
  • 1974 - Writing, performing & touring in UK with Deaf School rock band
  • 1975 - Booklet Design for a Solar Roof (with Dr. Phillip Brachi) published by Biotechnic Research and Development Ltd
  • 1975 - Invention of urban greenhouse Sunsharer. Prototype exhibited at the Kunsternes Hus, Calo, Norway.
  • 1975 - Registration of a company to manufacture and distribute the "Black Box" solar panel control circuit.
  • 1976-78 - Performing & touring in Europe & USA with Deaf School. See discography 1976-2021
  • 1978-88 - Deputy Head of Fine Art, Goldsmiths College, University of London
  • 1980 - Invented system for making "true-image" animated holograms in consultation with Bill Molteni.
  • 1981 - Exhibition of my first animated "true-image" holograms - "Scissors and teapot" in the "Spotlights and Glass Plates" exhibition at Goldsmiths Gallery.
  • 1982 - solo art show "On the Side of Things” at the Scratch Gallery, London (gallerist - Paul Hedge).
  • 1983 - Co-founded artists ensemble “The Kreutzer Quintet” which performed at the AIR Gallery, Coracle Press, Diorama, the Arts Factory, etc.
  • 1983-1988 - ‘’see exhibition highlights’’
  • 1988-92 - Launched and coordinated the first year of what is now the BA(Hons) Design degree, Goldsmiths College, University of London
  • 1990-93 - developed IDEAbase hypertext authoring software (miscellaneous funding). ‘’see publication highlights’’
  • 1995 - launched & coordinated the MA Design Futures programme at Goldsmiths, University of London
  • 2002 - Reader in Design Futures, Goldsmiths, University of London
  • 2002 - Co-founded the Writing-PAD Network (Writing Purposefully in Art and Design)
  • 2002-04 - Visiting Professor, Lifestyle Design, Nagoya University of the Arts, Japan
  • 2003 - Launched the Attainable Utopias research project, Goldsmiths, University of London
  • 2005 - Introduction and article in “Agents of Change: A Decade of MA Design Futures”, pages 10-14 and 20-21 (Hardback - ISBN 1904158617.
  • 2006 - Professor of Design, Goldsmiths, University of London
  • 2007 - Consultant for the [http://www.unitedartsvillage.co.uk/consultation/index.htm|United Arts Village]
  • 2007 - Consultant for the Ministry of Culture, Gwangju International Culture Hub, South Korea
  • 2007 - Founder editor of Journal of Writing in Creative Practice, (Official journal of the Writing-PAD Network - Intellect Books
  • 2008-10 - Member of the Building Futures Advisory Group, Royal Institute for British Architects, (RIBA Think-Tank)
  • 2008-9 - Consultant, Arup & Partners, London
  • 2008 - Chair of Awards Jury, Iceland National Visual Art Awards
  • 2008 - Consultant, Ag8 and Ridley Scott Associates, December, 2008
  • 2008 - Consultant, Space Doctors & BBC
  • 2010-11 - Visiting Professor, Dept. of Art & Design, Kyung-Hee University, Seoul, S. Korea
  • 2010 - Emeritus Professor of Design, Goldsmiths, University of London
  • 2011 - Editorial Board Member - Journal of Science & Innovation, ISSN 2078-5453, Taiwanese Institute of Knowledge innovation
  • 2012-5 - Editorial Board Member – Journal of Advances in Systems Science and Applications (ASSA). Organ of the International Institute for General Systems Studies
  • 2013 - TEDx Talk, "The Creative Quartet - a tool for metadesigners": Oslo, Norway
  • 2013-15 - Consultant for implementing SELF (Self Evaluation & Learning Framework) on the MA programme, Icelandic Academy of the Arts, Reykjavik
  • 2014-19 - Board Member, Creative Pioneers, London
  • 2014-present - Consultant for TUFF (The Unity of Faiths Foundation), London.
  • 2015-17 - Advisory Board Member - Birkhäuser Board of International Research in Design (BIRD)
  • 2015-18 - Director, Creative Publics Ltd. (UK)
  • 2018-22 - Professor of Practice, University of Wales, Trinity Saint David
  • 2018-present - Columnist, Sublime Magazine

Books

One White Bit Virtual Embodied One White Bit Design For Microutopias One White Bit Metadesigning Book Cover 1
One White Bit

  • 2022 - (editor), ’’Metadesigning Designing in the Anthropocene’’, Routledge, London & New York, ISBN 9781032067520
  • 2010 - (with Bussracumpakorn, C.) “Design Innovation Networks, critical factors that can contribute to successful collaborative development of innovative products”, Lambert Academic Publishing, 978-3-8383-6380-6
  • 2007 - ‘’Designing for Micro-utopias; thinking beyond the possible’’, (Commissioning Editor, Professor Rachel Cooper - Ashgate, UK, ISBN 0-7546-4608-4, (222 pages)
  • 1998 - (editor), "The Virtual Embodied; presence, practice, technology", Routledge, London and New York, ISBN 0-415-16025-1

Book Chapters

  • 2018 - short foreword to "Investigating the Visual as a Transformative Pedagogy in the Asia Region", Eds.: Dr Ian McArthur, Rod Bamford, Associate Professor Xu Fang, Brad Miller, Common Ground Publishing, Champagne, Illinois, USA, Australia
  • 2017 - "From Products to Relations: Adding jeong to the metadesigner’s vocabulary", chapter for Handbook of Sustainable Product Design by Jonathan Chapman, Routledge, ISBN-10: 1138910171, ISBN-13: 978-1138910171
  • 2016 - “Wilderness and the Art of the Possible”, chapter in ”Wild New Territories", Black Dog Publishing Ltd - ISBN-10: 1910433640, ISBN-13: 978-1910433645, pp. 28-43
  • 2016 - "A Quadratic Model of Consciousness", a chapter for a forthcoming book The Undivided Mind, (ed. Jane Grant - part of the Consciousness Reframed series, to be published by Intellect Books.
  • 2015 - "Collective Metamorphosis; a combinatorial approach to self-transformation", a chapter for ''Transformation Design’’, ed. Wolfgang Jonas - BIRD (Board of International Research in Design, BIRKHÄUSER).
  • 2013 - “Metadesigning Paradigm Change: an ecomimetic, language-centred approach”, a chapter in Handbook of Design for Sustainability, edited by Stuart Walker & Jacques Giroud (Berg - 2013
  • 2012 - Creativity & Biodiversity; towards a synergy-of-synergies, paper in the Journal of Advances in System Sciences & Applications, Editor, Prof. Jeffrey (Yi Lin) Forrest, An official journal of the International Institute for General Systems Studies, Vol. 12, (3 - pp. 232
  • 2011 - (with Backwell, J.), ‘Catalysing Network Consciousness in Leaderless Groups: A Metadesign Tool’, in Consciousness Reframed 12, Art, Identity and the Technology of the Transformation, editors Roy Ascott & Luis Miguel Girão, University of Aveiro, Portugal, pp. 36-41
  • 2010 - “Shadows of Utopia”, chapter in “Edge of a Dream: Utopia, Landscape & Contemporary Photography”, Author - Virginia Nimarkoh, Paperback: 120 pages, Affram Books, ISBN-10: 0956645003, ISBN-13: 978-0956645005
  • 2010 - “Benchmarking Synergies in Metadesign”, chapter in Designing for the 21st Century, Interdisciplinary Methods and Findings, (ed. Thomas Inns) Gower Publishing, Surrey, UK, (pp. 101-115 - ISBN-13: 987-1-4094-0240-4
  • 2009 - (with Backwell, J.), “Mapping Network Consciousness: syncretizing difference to co-create a synergy-of-synergies”, chapter in New Realities: Being Syncretic, Ixth Consciousness Reframed Conference Vienna, 2008. Series: Edition Angewandte Ascott, R.; Bast, G.; Fiel, W.; Jahrmann, M.; Schnell, R. (Eds.) 2009, ISBN: 978-3-211-78890-5
  • 2007 - “Win-Win-Win-Win-Win-Win: synergy tools for metadesigners”, a chapter in “Designing for the 21st Century, Interdisciplinary Questions and Insights” book, (ed. Thomas Inns) Gower Publishing, ISBN:  978-0-566-08737-0, December 2007
  • 2007 - in Nick Evans (Editor - “Woodhill Part Critical Forum”, untitled excerpts from a round table discussion with Tobie Kerridge, Fiona Raby and Professor James Woudhuysen – convened by Grit Hartung. Pages 119-135, Published by the Department of Communication Art and Design, Royal College of Art, 2007, ISBN 978-1-905000-36-4
  • 2007 - “Relative Abundance; Fuller’s discovery that the glass is always half full”, a chapter for “Designers, Visionaries and Other Stories: A collection of sustainable design essays”, (eds. Jonathan Chapman & Nick Gant - book, Earthscan, (August 2007)
  • 2005 - (Co-Editor - “Agents of Change: A Decade of MA Design Futures”, (June 1, 2005 - Goldsmiths College, (Hardback - ISBN 1904158617, 128 pages
  • 2005 - text and image (3 pages) in Book “What’s So Great About SE8?”, Edited by Andrew Carmichael, published by the Creative Lewisham Agency, London, September 2005.
  • 2001 - "Can Drawings Draw Themselves?" chapter in "Drawing Texts", book edited by Jim Savage, Occasional Press, Dublin, February 2001, pp. 199-210.
  • 1998 - "Re-Designing the Present", chapter in "The Virtual Embodied" book, for Routledge, London and New York, (simultaneously published in USA and Canada - June 1998, ISBN 0-415-16025-1 (hardback - ISBN 0-415-16026-X (paperback - pp. 88-101.
  • 1998 - "Curvatures in Space-Time-Truth", introductory chapter in "The Virtual Embodied" book, for Routledge, London and New York, (simultaneously published in USA and Canada - June 1998, ISBN 0-415-16025-1 (hardback - ISBN 0-415-16026-X (paperback - pp. 1-12.
  • Taylor, P., &1997 - "Mapping the Mapper", in collaboration with Paul Taylor, a chapter in "Computers, Communications, and Mental Models", eds. Donald Day & Diane Kovacs, Taylor & Francis, London, ISBN 0-7484-0543-7, pp. 37-44, January 1997.
  • 1976 - "Could Tree Farming Answer World Food Needs?" a chapter in the "Handbook of Radical Technology" edited by Peter Harper & Godfrey Boyle, New York: Pantheon Books / Random House, 1976
  • 1965 - 3D bas-relief etching image used in "Techniques of Etching & Engraving", Brundsdon, J., Batford Press, 1965.

KEYNOTES / Guest Lectures

Wood, J., (2017), Keynote talk: "The Machine for Saying Sorry", the conference: "With a shift simultaneous realities collide*" at the London College of Communications, March 27th
Wood, J., (2016), Keynote talk: "Re-inventing Invention", CreativeWorks London Festival, April 16th, Queen Mary University of London
Wood, J., (2016), Guest lecture, "Thinking Outside the Innovation Box", Swinburne University of Technology, Melbourne, Australia, March 2016
Wood, J., (2016), Keynote talk: "Some Criteria for Mapping Consciousness in Living Buildings", as part of the CAADRIA conference at Melbourne University, April, 2016 (the conference theme is based on my book "Designing Micro-utopias"
Wood, J., (2016), Dean's Lecture, Melbourne University, April 2016
Wood, J., (2015), Keynote talk, "Metadesigners: designing beyond names, codes, forms + signs, Nordes Conference 2015
Wood, J., (2015), Public lecture, "Can Designers Re-design Design?", Harpa Building, Reykjavik, Iceland, 9th September
Wood, J., (2015), Keynote talk, "Undivided Mind" symposium, Plymouth, 2015
Wood, J., (2013), TEDx Talk, "The Creative Quartet - a tool for metadesigners": Oslo 2013
Wood, J., (2011), Guest Lecture, “Paradigm Change – Synergizing Top-Down & Bottom-up Initiatives”, (as part of our ‘Paradigm Change’ conference), Seoul National University, Seoul, 27th May, 2011
Wood, J., (2011), Guest Lecture, “The Design Thinking within Metadesign”, Yonsei University, Seoul, 27th April, 2011
Wood, J., (2011), Guest Lecture, “Eco-semiotics – an introduction”, Kookmin University, Seoul, 8th March, 2011
Wood, J., (2011), Guest Lecture, “Eco-semiotics within Metadesign”, Kookmin University, Seoul, 15th March, 2011
Wood, J., (2011), Guest Lecture, “Eco-semiotics and paradigm change”, Kookmin University, Seoul, 5th April, 2011
Wood, J., (2011), Guest Lecture, “Can Eco-semiotics Enable us to Language the Ineffable?”, 12th April, Kookmin University, Seoul
Wood, J., (2010), Guest Lecture, “Metadesigning the Synergy of Inter-Hybrids”, 2-day Conference on Inter-Hybrids, Dankook University, Seoul, South Korea, 8th December
Wood, J., (2010), Guest Lecture, “How Can We Use Metadesign to Change the Paradigm?”, Hongik University, 1st December
Wood, J., (2010), Guest Lecture, “Re-designing Design for our Survival into the Future”, Sookmyung Women’s College, 27th November
Wood, J., (2010), Keynote Address “Re-designing Design for our Survival into the Future”, Seoul International Design Fair, Jamsil Sports Complex, Seoul, South Korea, 17th September
Wood, J., (2009), Keynote Address “Towards a ))))synergy-of-synergies((((”, for the UNESCO-sponsored conference ‘From Now On: Envisioning Nagoya’s Future on the Large Scale and the Small’ in International Design Hall, International Design Center, Nagoya, Japan, November, 2009.
Wood, J., (2009), - One of Three Keynote Lectures – ‘Diversity-of-Diversities’, final presentation for the ‘Edge of a Dream – Utopias, Landscape and Contemporary Photography’ project curated by Virginia Nimarkoh, Goldsmiths, University of London, 31st January 2009
Wood, J., (2009), invited speaker, Metamorphosis of Design Management Symposia, London College of Communications, 30th January 2009
Wood, J., (2008), - Keynote Lecture – ‘Synergizing Research Narratives’, at the Practice-led doctoral / post-doctoral exhibition and symposium Chelsea College of Art and Design, London, 28-30 October, 2008
Wood, J., (2008), - Inaugural professorship lecture, Goldsmiths University of London, Monday 21st October
Wood, J., (2008), - in conversation with Malcolm Smith, Design Director of Arup & Partners, ‘Greengaged’ event at the UK Design Council, Monday 15th September
Wood, J., (2008), - invited to speak (by the Higher Education Academy Subject Centre for Art Design & Media, Brighton University), at the ‘Networks of Design’, The Design History Society Annual Conference, University College Falmouth, 4th September 2008
Wood, J., (2008), - Keynote Lecture – “Auspicious Reasoning within Education”, given at the Interrogations: Creative Interdisciplinarity in Art and Design Research Conference, Loughborough University, School of Art & Design, May 21st, 2008
Wood, J., (2008), - Keynote Lecture – “Auspicious Reasoning within Education”, given at the Interrogations: Creative Interdisciplinarity in Art and Design Research Conference, Loughborough University, School of Art & Design, May 21st, 2008
Wood, J., (2008), - Keynote Lecture – “Auspicious Reasoning; the idea of ‘quadratic innovation’, given at the Building Futures 'Futures Fair' conference, held by the Royal Institute of Building Architects, 15th May, 2008
Wood, J., (2008), - Keynote Lecture – “Synergy-Cities; a metadesign approach” given at the The Environment Technology Transfer Club (ETTC) and the Industrial Symbiosis Network (ISNet), are both part of the Clean Environment Management Centre (CLEMANCE) based at the University of Teesside as part of their ‘Eco Towns: Viable projects, or white elephant? Conference, May 14th, 2008
Wood, J., (2007), - Keynote Lecture - “Towards a 4th Order Design” for the ‘Mapping Design Activism’ conference at Leeds University, 14 September, 2007.
Wood, J., (2007), - Keynote lecture – “Masters of the Universe”, Kunsthøgskolen i Oslo, The Oslo National Academy of the Arts, 7th February, 2007
Wood, J., (2006), - Keynote Lecture – “The Educational Purpose of Creativity - a clash of perspectives”, staff conference, Plymouth College of Art & Design, 26th October, 2006
Wood, J., (2006), Keynote lecture - “Relative Abundance; Fuller’s discovery that the glass is always half full”, given at the ‘100% Sustainable’ conference, Olympia, London, 23rd September, 2006
Wood, J., (2006), - Keynote lecture - “Writing for/in Ethical Practice”, at the Writing-PAD conference, “Where do we go from here? A platform for past and future initiatives”, at Goldsmiths, University of London, 21st September, 2006
Wood, J., (2004), “Getting us to Utopia”, Keynote paper given at the “Course Leaders’ Conference”, University of the Arts, January, 2004
Wood, J.,: (2003), "The Language of Design", Keynote speaker at the "Exploring Doors" conference, Heathrow*, London, June 24, 2003
Wood, J., (2002), “The Generous Meme”, Keynote paper for the inaugural meeting of an international “Ethics in Design Network”, Gothenburg University, Sweden, 22 March, 2002
Wood, J., (2001), "Can Drawings Draw Themselves?", guest lecture given at the "Drawing Conclusions" seminar, at the Temple Bar Gallery, Dublin, October 19, 2001

PERFORMANCES

  • See an incomplete list of early gigs (1974-78)
  • UK performances (2006-2013) (see another incomplete list)
  • Performances in Tokyo, 2011 and 2015
  • Performance (2006) ‘Opus 3’ – (commissioned by the Bluecoat Gallery), Liverpool, 5th July, 2006 (Guest appearance on behalf of the ‘Foreign Investment’ artists’ collective)
  • Performance Liverpool 27th May, 2006 – for the opening celebration of ‘The New Picket’, with Deaf School band
  • Performance (2006) Chester 25th May, 2006 – with Deaf School
  • Performance (2006) Buckingham 20th May, 2006 – with Deaf School
  • PERFORMER: (2005), dancer in 'Carrotica', by Ballet de Bim, at 'The Place', Euston, London, 16th February, 2005
  • PERFORMER: (1998), Live musical performance as member of the "Return Beat Ensemble" at the "Practice | Presence | Technology" conference, Institute of Contemporary Arts, London, 16 October 1998.
  • PERFORMER: (1998), "Finding Consensual Times in Digital Music", live performance (with Olu Taiwo) to illustrate theoretical paper given at the ISEA98 conference, Manchester, UK, September 1998.
  • PERFORMER: (1998), live performance (with Olu Taiwo) accompanying theoretical paper given at the "Simplicity in Complexity" conference, 14th World Congress of Sociology, Montreal, ))July-August(( 1998.
  • PERFORMER: (1997), Performance for charity with an ad hoc musical band "House of Lords" featuring assorted pop stars at St. Johns, Smiths Square, London, 1997.
  • PERFORMER: (1996) "A Lady Varnishes": live performance with Alma Tischler under the auspices of the Battenburgs, as part of the 1996 Whitechapel Open Exhibition. September 1996.
  • PERFORMER: (1988 -89) Live tour with re-united Deaf School at Hillsborough benefit concerts at several selected venues in Liverpool and London.
  • PERFORMER: (1983-84), Co-founding of the Kreutzer Quintet, leading to a series of performances in London at the AIR Gallery, Coracle Press, Diorama, the Arts Factory, etc., 1983-84. (players were artists Grenville Davey, Jackie Pennell, Ben Browton, Stephen ))Taylor-Woodrow((, and others)
  • PERFORMANCE: (1975), Deaf School won the UK national Melody Maker rock competition, 1975.
  • PERFORMER: (1974-78), Co-founding, writing, and performing with "Deaf School" rock band with Clive Langer, Steve Allen and others. (UK, Europe and USA tours)
  • WRITER/DIRECTOR: (1970), "King of Shouting House" - produced at the Bradford Festival, 1970.
  • WRITER/DIRECTOR: (1969), "King of Shouting House" - a computer assisted play for 28 actors, commissioned for the "Play Orbit" Festival, Institute of Contemporary Arts, London 1969

SOLO EXHIBITIONS

  • Wood, J., & Godbold., D.,(1988), "Endangered Species": this work was commissioned as part of the Cambridge Festival, 1988. (A new version of the previous work entailed integrating the "viewing cubes" with the glass-cases of dead game birds and kitsch ephemera in the "Hat & Feathers Pub", Cambridge)
  • Wood, J., & Godbold., D., "Godbold & Wood" an exhibition of photographic works at the Mori Gallery, Sydney, Australia, 1988.
  • Wood, J., & Godbold., D.,(1988), "Endangered Species", Actualités Gallery, Docklands, London, 1988 (in collaboration with David Godbold). This installation work comprised twenty wall-mounted cubes in a specially adapted gallery space; Each cube had a viewing window with a fresnel lens. Within each cube is an interior scene animated with motorised models, still photographs, and lights, plus a wall-mounted plaque bearing a text by Matthew Arnold.
  • Wood, J., & Godbold., D.,(1987), "Striking Water from the Rock", The Chisenhale Gallery, London, 1987 (in collaboration with David Godbold). This installation work incorporated large-scale photographic panels of figures ‘gazing’ at one another across the gallery space. In the centre the object of their gaze was a projection on an animated 3-D screen of a full colour rendering of a human head.
  • Wood, J., & Godbold., D.,(1986), "Levate Gravitatem Uteri Mei - the enticement of weightlessness" (Version 2), commissioned and funded by the Artangel Trust, London. (full-sized facade and slot-viewable digital 3D image built onto shop-front premises at 18, Old Compton Street, Soho - in collaboration with David Godbold)
  • Wood, J., (1982), "On the Side of Things", The Scratch Gallery, (gallerist - Paul Hedge) London, 1982.

INVENTIONS

  • Wood, J., (1980), Invention and development of a system for making "true-image" animated holograms in consultation with the American holographer Bill Molteni, 1980. (it entailed the construction of a programmable holographic camera that projects up to 80 serial exposures on a photographic plate. This was synchronised with an automatically animated subject; The system re-played the series as white-light viewable holograms that animated when seen by a moving voyeur).
  • Wood, J., (1975), Invention and development of Sunsharer prototype for urban greenhouse system exhibited at the Kunsternes Hus, Calo, Norway, 1975.
  • Wood, J., (1975), Registration of a company to manufacture and distribute the "Black Box" solar panel control circuit, 1975.
  • Wood, J., (1974), design and development of control circuit (the "Black Box") for regulating one of the first practical solar roofs in the UK at ))Eithen-y-Gaeir((, North Wales, 1974. Booklet "Design for a Solar Roof" written in collaboration with Dr. Phillip Brachi (Published by Biotechnic Research and Development Ltd) 1975.
  • Wood, J., (1972), "The Tune Doodler" - electronic sculpture commissioned as part of Bonnier International's "Toys by Artists" programme in 1972. The final works were exhibited in 86 department stores and more than a dozen major museums of art in 17 countries.

GROUP EXHIBITIONS

  • INSTALLATION ARTWORK: (1994), "The Lovers" Clock": a joint exhibition with Alma Tischler at the Anna Bornholt Gallery, London, April 1994.
  • INSTALLATION ARTWORK: (1990), "National Trust", commissioned permanent installation at Aldwych House", London, 1990.
  • INSTALLATION ARTWORK: (1988), "Blue Movie III" at the Anna Bornholt Gallery, London, ))September-December((, 1989.
  • INSTALLATION ARTWORK: (1989), "Blue Movie III", Ikon Gallery, Birmingham as part of the "Searchlight" exhibition, 1989.
  • INSTALLATION: (1988), "Blue Movie III", Pomeroy Purdy Gallery, London, 1988
  • INSTALLATION: (1989-90), "Absent Mosaic". This work was shown as part of the "Spiritual Dimension" exhibition at: Peterborough Museum and Art Gallery, Worcester City Museum, Christchurch Mansion, Ipswich, Herbert Art Gallery, Coventry, Winchester Art Gallery, Shipley Art Gallery, Gateshead
  • INSTALLATION: "(1988), Captive", Sydney Biennial, Australia, 1988.
  • INSTALLATION: (1988), "Blue Movie I", Pomeroy Purdy Gallery, London, 1988.
  • INSTALLATION: (1988), "Blue Movie II", Pomeroy Purdy Gallery, London, 1988.
  • INSTALLATION ARTWORK: (1987), "Child of Our Time", Richard Pomeroy Gallery, London, 1987.
  • INSTALLATION ARTWORK: (1987), "Predicament" Kettles Yard Galley, Cambridge (This comprised a small, wall-mounted triptych with specially made photographic transparencies and integral fluorescent light), 1987.
  • INSTALLATION ARTWORK: (1986), "Levate Gravitatem Uteri Mei - the enticement of Weightlessness" (Version 1) a specially built archway through which visitors peered into a tabernacle-like construction. Kettles Yard Gallery, Cambridge, 1986.
  • INSTALLATION ARTWORK: (1985), many works in the three person exhibition "Targets and Shields" at the Unit 7 Gallery, London, with Andrew Carmichael and Colin Dark.
  • INSTALLATION ARTWORK: (1982), Exhibition of a series of my animated "true image" holograms at: - The Bath Contemporary Art Fair, and in "The Holography Show" (Orchard Gallery, Derry; Ulster Museum, Belfast; The Project, Dublin; Cardiff Chapter; Wolverhampton; ))Stoke-on-Trent((, Bristol) 1982.
  • INSTALLATION ARTWORK: (1981), Exhibition of one of the first animated "true-image" holograms - "Scissors and teapot" - included in the "Spotlights and Glass Plates" exhibition at the Goldsmiths" Holography Gallery, 1981.
  • INSTALLATION: (1987), "Captive", Nigel Greenwood Gallery, London, 1987.
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